![]() The setting is Nazi-occupied Belarus, 1943. The conflagration at the film’s peak, which doesn't break the heart so much as render it completely without function, is hardly the only proof.Ĭome and See-adapted by Klimov, with Ales Adamovich, from the 1978 book I Am from the Fiery Village-is a war narrative about a teenage boy, Flyora ( Aleksey Kravchenko), who digs a discarded gun out of a sandy trench with the intention of joining the Soviet partisans gathering in his village. cities through July) is a classic-a blunt and unforgettable testament to the power of cinema. The film, which is now playing in New York in a restored print (and will be touring through major U.S. You can sum it up in an image: a boarded-up farmhouse full of living, screaming people, barraged with Nazi bullets and set aflame. It is distinctly unfathomable-awe-inspiring, in the original, terrifying sense of the word. But the scene in question belongs to a category unto itself. ![]() The entire movie is memorable: a nightmare manifested into reality, or rather, history reemerging into the present as the nightmare that it always was. ![]() No one who has watched Come and See, Elem Klimov’s legendary 1985 anti-war film, can forget the horrors at its climax. ![]()
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